Philip Kennicott

The Ed Ruscha retrospective at MoMA covers 65 years of his work, from the zenith to the decline of American power.

While the galleries delight at the renovated National Museum of Women in the Arts, history still gets lost

In museum’s redesigned modern and contemporary galleries, pop art is out, and such major artists as Diebenkorn, Ruscha and Thiebaud are erased, along with California.

Vermeer at the Rijksmuseum, Jaune Quick-to-See Smith at the Whitney and Simone Leigh at Boston’s Institute of Contemporary Art make our critic’s list.

The Rijksmuseum in Amsterdam has gathered 28 of 37 Vermeers for an international act of veneration

Putin’s war has recalibrated everything, with the cruelty and cynicism of the invasion recasting the meaning of Russia’s artistic production.

National Gallery enters new era with African diaspora exhibit. It’s overdue.

When war feels close to home, images function differently.

A new exhibition at the Museum of Modern Art shows the artist’s range, if not who she really was.

Glenstone surveys the work of one of our most creative and conceptual photographers.