Ben Travers

The Paramount+ series, starring Kelsey Grammer and no one else from the original “Frasier” (or “Cheers”), is decent by revival standards, but suffers by comparison.

For his annual Netflix horror story, the “Haunting of Hill House” director riffs on Edgar Allan Poe while broadly skewering undying greed.

Brie Larson’s Apple TV+ adaptation of Bonnie Garmus’ bestselling novel can’t balance its saccharine love story with so many “surprises.”

The New York Film Festival screened the first three episodes of Showtime’s upcoming comedy series, as fans laughed, cheered, and squirmed — while the co-creators sat and watched.

Matt Bomer and Jonathan Bailey power a poignant adaptation of Thomas Mallon’s 2007 novel, as two lovers trapped in an era of feigned freedoms.

The actor, who died Saturday night, was a sitcom icon whose lasting impact is as much a credit to his earnest naturalism as his scorching wit.

Class warfare fought along a ladder laid flat, Julian Fellowes’ HBO drama somehow slackens its season-long social squabbles beyond their already innocuous status.

Brian Koppelman and David Levien speak to IndieWire about the motives, music, and moral uncertainty built into “Billions” final season.

Less interested in Bass Reeves than the policing framework he provides, Taylor Sheridan’s seasonal anthology series is about as boilerplate as they come.

Following a married couple as they shoot an HGTV show, Nathan Fielder and Benny Safdie’s Showtime series is a shocking, razor-sharp satire of, well, quite a lot.