Chris O'Falt

Along with 5 other things you likely didn’t know about the production of this year’s Oscar frontrunner

Craft Considerations: Watch production designer Mark Friedberg, DP James Laxton, and costume designer Caroline Eselin-Schaefer break down their “Underground” craft.

How I Shot That: The world’s best cinematographers tell IndieWire how they created the look of their highly anticipated features at Cannes.

From “Mandalorian” to “Underground Railroad,” 15 DPs discuss the gear they chose to shoot the 2021 nominees for Outstanding Cinematography.

How I Shot That: The world’s best cinematographers tell IndieWire how they created the look of their highly anticipated features at Cannes.

In 2022, so many great films — like “Top Gun: Maverick,” “Nope,” and unlocked their full potential and reached into new dimensions, literally and figuratively, by exploring …

From the cockpit to the stage, in subterranean tunnels and miraculously lit stop-motion, there were no more arresting moving images than these.

The cinematography, sound, music, and VFX that created Jordan Peele’s terror in the sky was the best Hollywood craft of 2022. So why was it ignored?

Cinematographer Ed Lachman on using Gregg Toland’s lenses, breaking his hip, and why desaturating color is a dumb way to shoot black and white.

Director Raven Jackson and cinematographer Jomo Fray walk IndieWire through their inspirational road map.