Marley Marius

For the first time in its nearly 230-year history, the world’s largest art museum will be run by a woman: Laurence des Cars.

The nonprofit Athletes for Hope has estimated that 35% of professional athletes experience problems with their mental health, but they’re not often discussed on the world’s largest stages, especially not by players at the top of their careers.

Set in 2020, the new production deploys the backdrop of the opioid crisis, the pandemic, and isolation.

After a hit run in London, “The Collaboration” is putting Andy Warhol and Jean-Michel Basquiat on Broadway. Costars (and fast friends) Bettany and Pope paint us a picture.

I am here to meet Alicia Keys, who later that day will play the penultimate set in her five-week-long, 22-city Keys to the Summer Tour, concluding at the Kia Forum in Inglewood, California, the following evening. But hours before she strides onstage to an incantatory arrangement of “Fallin’ ” (the ​​chart-topping lead single from her debut album, Songs in A Minor, now a shocking 22 years old), wearing a coruscating green bodysuit and matching coat from Self-Portrait, a friendly assistant leads m…

Lee, the forthcoming biopic starring Kate Winslet (Vogue’s October cover star) and directed by Ellen Kuras, was envisioned by its creators as an antidote to the more conventional—and rather less inspiring—films that might have been made about Lee Miller (1907–1977). As Antony Penrose, Miller’s son and biographer, told writer Wendell Steavenson, the other scripts that had come his way in years past tended to be “formulaic and traded too much on Lee’s beauty and being a model. They didn’t explore…

About a year and a half before the Whitney Museum of American Art commissioned a public billboard installation from Hadi Falapishi—the joyfully colorful, somewhat narratively ambiguous “Almost There” (2023), depicting a dog, a cat, and a mouse atop a small boat headed for a distant island shore, a smiling human figure propping them up from below—Falapishi already had a vision for its epic closing ceremony. In the spring of 2022, Falapishi had a show called “Young and Clueless” at the Power Stati…

In one way, it feels fitting that Tess McMillan, a model so often exalted for her “pre-Raphaelite” beauty, should also be a talented artist: the shock of that red hair against her skin is downright painterly. Yet McMillan’s canvases, on view this month in her first-ever solo exhibition, “Find Me Where You Left Me,” at Laurence Esnol’s gallery in Paris, strays from any obvious art historical references. Her figures—variously crouched in strange rooms, sprawled in burning fields, and stranded in t…

Whatever your go-to genre—musicals, thrillers, crime dramas, romantic comedies—here’s a roundup of movies to remind you why there’s simply no place like New York. At the best of times, life in New York can be disarmingly cinematic, whether you’re walking through the park (any park!) on a perfect fall day, jammed into a booth at a gorgeous old-style restaurant, or riding the Q train over the East River. The hum and thrum of the city is filled with grace notes—which is why, for decades and decades…

After they married, Jo became Ed’s primary model—endlessly gazing through windows, or seated on beds, or standing in the sun—as well as his bookkeeper and liaison with dealers. But while she delighted in her husband’s success—his mounting recognition as a crack observer of urban and small-town life was, after all, keeping the lights on, with the Metropolitan Museum of Art, the Whitney Museum of American Art, the Museum of Modern Art, and other major institutions buying and showing Ed’s work by t…